Notes related to Museo de Arte

DA-LI-LA: THE MALLEABILITY OF THE FIXED

From White Plaster to Colorful Textiles, Dalila Puzzovio (1942, Buenos Aires) has always known how to appreciate broken bodies and dress the living. While some destroy, others build is the title of one of her photographs—a phrase that runs through her remarkable artistic career.

By Violeta Méndez
Reviews

DA-LI-LA: THE MALLEABILITY OF THE FIXED

By Violeta Méndez

From White Plaster to Colorful Textiles, Dalila Puzzovio (1942, Buenos Aires) has always known how to appreciate broken bodies and dress the living. While some destroy, others build is the title of one of her photographs—a phrase that runs through her remarkable artistic career.

May 07, 2025